An interpolation of Toots and the Maytals’ 1966 song of the same name, Sister Nancy’s in-studio freestyle was laid over sparse rub-a-dub production, allowing her declaration of ambition and skill to ring loud and clear. In addition to her status as a rare female voice in a sea of male performers at the dawn of dancehall, Sister Nancy is recognized for her influential, highly sampled single “Bam Bam.” While Sister Nancy needn’t be reminded of her influence — “I’m the woman who created dancehall … on the mic system, around the sound system. I’m the one who did all of that, first” — the past 15 years have seen the artist receive her flowers on a global stage. “I will never be your ordinary thing. When you come to see me, it doesn’t matter the time or the space, it’s always going to be good.” “People love what I stand for. I always give the audience something they can think about,” Sister Nancy tells GRAMMY.com, Zooming in from a car in Midtown Manhattan.
Many of her music videos were shot as short films exploring issues such as love triangles, abuse and substance abuse romance, including “We Found Love” and “Man Down”. The album’s betista casino lead single, “Diamonds”, topped the US Billboard Hot 100, becoming Rihanna’s twelfth number-one song on the chart. A synth-pop record with EDM and hip-hop elements, Unapologetic debuted at number one on the Billboard 200 with first-week sales of 238,000 copies, becoming Rihanna’s first chart-topping album in the US. Rihanna is one of the best-selling music artists of all time, with estimated sales of over 250 million records. “She continued to make incredible art and so this is a love song kind of through the lens of the motif of what she had to go through in her life and sort of the parallels that I feel in my own life.”

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Her musical career has been marked by experimentation, and she has stated that her goal was “to make music that could be heard in parts of the world that I’d never been to”. She began vocal training during the recording of Good Girl Gone Bad (2007) under the guidance of Ne-Yo, who taught her breathing techniques and vocal delivery. The song earned her nominations for the Golden Globe and Academy Award for Best Original Song. Alongside Donald Glover, she starred in the film Guava Island (2019), in which she played his character’s love interest.
A daily briefing on what matters in the music industry Jan. 26, Rocky scored his first Billboard 200 No. 1 album in more than a decade with Don’t Be Dumb, which Rihanna celebrated via X, writing, “Just me here to let yall know my baby daddy got the NUMBER 1 ALBUM!!! While some fans are wallowing in their 10th year without a new Rihanna album, everyone’s favorite Bajan Bad Gal is celebrating the massive success her ANTI album has generated during that period. This is the second such soundtrack she has contributed to for an animated movie, recording several anthems for “Home,” a 2015 film she starred in alongside the “Big Bang Theory” star Jim Parsons.
Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon. “Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,” she pleads in the seven-minute two-parter. Her swagger is boisterous in “Phresh Out the Runway,” “Jump,” and strip club anthem “Pour It Up,” but “Nobody’s Business” really drives home the album’s theme of being unbothered. Vocally, Rihanna’s strength lies in her ability to evoke raw emotion à la “Stay.” Featuring Mikky Ekko, the stripped-down, slow-burning piano ballad narrowly missed the top spot on the Hot 100 but gave Rihanna her 24th top 10 hit, surpassing Whitney Houston’s record of 23 in 2013. One of Rihanna’s most precious offerings to date, “Diamonds” emerged as a self-love mantra due to its uplifting “Shine bright like a diamond” chant. Its lead single “Diamonds” resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.

Videography and stage

No matter what genre Rihanna touches or what artist she links up with, she brings her full self to each session whilst completely immersing herself into the music — taking on different personas to make the collab well worth it. Amid smash collabs, Rihanna and Coldplay’s intricate “Princess of China” number gets lost in the shuffle, but it speaks to her charm as it’s the band’s first album (2011’s Mylo Xyloto) to feature another artist. The one-off single is so quintessentially Rihanna that it notably kicked off her Super Bowl halftime show.
“And, baby, that’s show business for you,” Taylor Swift declared after announcing her 12th full-length album, The Life of a Showgirl. But with The Life of a Showgirl, it’s clear she’s closing the chapter — or should we say era — of her life that was the catalyst to the new one she’s stepping into. Yes, she is still the same artist who wrote the fairytale-tinged record Fearless, crafted the indie pandemic escape that was folklore, and dove into the depths of her sadness on The Tortured Poets Department. After the muted sonic tones of The Tortured Poets Department, The Life of a Showgirl is possibly Swift’s most jubilant album yet.

Lover: Stepping Into The Daylight

Rihanna has worked with music video director Anthony Mandler on seventeen music videos, the first being “Unfaithful” (2006). Rihanna was also influenced by artists such as Janet Jackson, Aaliyah, Beyoncé, Celine Dion, Grace Jones, Lil’ Kim, Prince, and Brandy. In her youth, Rihanna often watched Bob Marley on television due to his popularity in the Caribbean. Rihanna identified Brandy’s fourth album, Afrodisiac (2004), as a primary source of inspiration for her album Good Girl Gone Bad. After moving to the US, she was exposed to a wide range of musical genres, which she said had a profound effect on her.
The album’s first half features strong 1980s pop influences, while the second half leans more toward traditional R&B. Rihanna’s music is primarily R&B and pop singer, and incorporates elements of various genres like dancehall, EDM, and adult contemporary. Rihanna became the first person to headline a Super Bowl halftime show while pregnant, revealing her pregnancy during the performance. The Super Bowl performance earned Rihanna five Primetime Emmy Award nominations, including one for Outstanding Variety Special (Live). In August, she was honoured with the Michael Jackson Video Vanguard Award at the 2016 MTV Video Music Awards, where she performed a series of medleys of her most successful songs. The album was released exclusively on the streaming service Tidal on January 28, 2016.
Throughout The Life of a Showgirl, Swift, Martin and Shellback craft tracks that go beyond what they created with 1989 and reputation. Reuniting with her pop powerhouse collaborators Max Martin and Shellback, who worked on her biggest pop radio hits like “We Are Never Ever Getting Back Together,” “Delicate,” “Blank Space,” and “Shake It Off,” was a return to form after the fog of TTPD. (“And all the headshots on the walls/ Of the dance hall are of the b—es/ Who wish I’d hurry up and die/ But I’m immortal now.”) On “The Life of a Showgirl,” she declares with her fellow showgirl that she isn’t handing over the baton just yet. The showgirl is actually the one in charge (“I was your father figure/ You pulled the wrong trigger/ This empire belongs to me”), alluding to her battle to retain her masters.

Eminem feat. Rihanna — “The Monster”

Seven years into an already extraordinary career, 2012’s Unapologetic became Rihanna’s first album to debut at No. 1 on the all-genre Billboard 200 chart. With this feat, she became the youngest artist to attain the most chart-toppers in a five-year span. That same carefree spirit can be heard in the feminist track “Raining Men,” which features Nicki Minaj — their first of two collabs, as they joined forces again for “Fly,” the final single off the rapper’s iconic Pink Friday album. While “What’s My Name?” may not outshine Rih and Drizzy’s other collabs — including 2011’s “Take Care” or 2016’s “Work” — the second she sings, “Hey, boy, I really wanna see if you can go downtown with a girl like me,” it’s impossible not to whine your waist to the riddim. Through lead single “Russian Roulette” and bitingly catchy anthems “Stupid in Love,” “Fire Bomb,” “Photographs,” “Cold Case Love,” and “The Last Song,” Rihanna explored her angst and confusion. Rihanna was a familiar face by 2007, but with the arrival of her third studio album, Good Girl Gone Bad, she graduated from cookie-cutter pop star to bonafide icon.
While the world is still anticipating her ninth studio album, Rihanna — now a mom of two boys — continues to make her own rules and move at her own pace. With the glorious “Lift Me Up,” she found herself in the top 10 for the first time since 2017’s “Wild Thoughts.” Ever since ANTI, Rihanna’s devoted fanbase has been begging for a new album, with Rih playfully trolling them with responses like “I lost it” and Instagram captions that read, “Me listening to R9 by myself and refusing to release it.” Accolades aside, ANTI is proof that magic happens when an artist of Rihanna’s caliber follows their own instincts in pursuit of creating a body of work — one that can outlast them and continue to inspire generations to come. For instance, “Sex with Me” is featured on the deluxe edition as a bonus track, but managed to crack the Hot 100 at No. 83 and reach No. 8 on the R&B/Hip-Hop Airplay chart. Elsewhere on ANTI, Rihanna drunk dials an ex (“Higher”), compares smoking weed to her lover (“James Joint”), and chastises a guy for getting emotionally attached after their fling (“Needed Me”).

  • On the album’s liner notes, Swift says Fearless is about “living in spite” of the things that scare you, like falling in love again despite being hurt before or walking away and letting go.
  • One writer in particular, Liz Rose, applauded Swift’s songwriting capabilities, stating that she was more of an “editor” for the songs because Swift already had such a distinct vision.
  • Swift’s now-frequent collaborator Jack Antonoff credits her as the first person to take a chance on him as a producer with “I Wish You Would” and “Out Of The Woods”; both tracks exemplified how future Antonoff-produced songs would sound on albums like reputation, Lover and Midnights.
  • Even as a new country artist, critics claimed that she “mastered” the genre while subsequently ushering it to a new era — one that would soon see Swift dabble in country-pop.
  • She recorded the early dancehall anthem in 1982 when she was just 20 years old as a last-minute addition to her debut album, One, Two.
  • Following the more country-influenced Speak Now, some critics and fans found the pop songs on Red were too pop and the lyrics were too repetitive, possibly indicating that she might be selling out.
  • “I used to kind of have this dark fear that if I ever were truly happy and free being myself and nurtured by a relationship, what happens if the writing just dries up? What if writing is directly tied to my torment and pain?” she said ahead of the album’s release.

If Taylor Swift was the soundtrack to navigating the early stages of teenhood, Fearless is Swift’s coming-of-age record. While her songwriting has developed and matured, feeling like an outsider and carving her own path is a theme she still writes about now, as seen on Midnights’ “You’re On Your Own, Kid.” On the track “A Place In This World,” a song she wrote when she was just 13, Swift sings about not fitting in and trying to find her path.
Gleefully playing the witch doctor, prolific singer/bassist Esperanza Spalding individually released every song (and an accompanying video) from her seventh album across 11 days before serving up its cauldron of genre-hopping sounds in full. (Rih recorded an equally moving sequel for her Loud album.) Three years later, the two confronted their inner demons in “The Monster,” and their musical chemistry scored a GRAMMY in 2015 for Best Rap/Sung Collaboration. Final single “Te Amo” didn’t chart, but garnered a great deal of attention as the Latin-infused Stargate production depicts Rihanna being enticed by a female love interest. It also marked Rihanna’s first time veering away from her “girl next door” image, as the song’s subject matter deals with infidelity. Follow-up single “If It’s Lovin’ That You Want” stalled at No. 36 on the Hot 100, but still whetted fans’ appetite — as did her debut album, Music of the Sun, which is mostly comprised of dance-pop and dancehall tracks with hints of R&B (like “Willing to Wait”). Shortly after her 16th birthday, Rihanna left her home country for the U.S. to record a demo, which included her breakthrough hit “Pon de Replay.” The demo found its way into Jay-Z’s hands, and Hov signed the teen artist to Def Jam and the label expedited her 2005 debut album, aptly titled Music of the Sun.
Its second single, “If It’s Lovin’ That You Want”, peaked at number 36 in the US. After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album. She waited in Jay-Z’s office while lawyers finalized a six-album contract with Def Jam. In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.

Her work has influenced artists such as Lorde, Sam Smith, Billie Eilish, Selena Gomez, Ed Sheeran, Ellie Goulding, Kim Petras, Marilyn Manson, Jessie J, SZA, Ayra Starr, and Demi Lovato. In July 2015, the Recording Industry Association of America (RIAA) announced that Rihanna had surpassed 100 million gold and platinum song certifications. In 2012, she set a Guinness World Record as the best-selling digital artist in the US.

  • She also established a photography agency, A Dog Ate My Homework, representing photographers Erik Asla and Deborah Anderson.
  • “She continued to make incredible art and so this is a love song kind of through the lens of the motif of what she had to go through in her life and sort of the parallels that I feel in my own life.”
  • “I just couldn’t take no more. I just say it’s time for me to be compensated, and I just did what I had to do,” the icon says of her legal battle for royalties.
  • A pop and reggae album, A Girl Like Me peaked at number five on the Billboard 200 chart, with 115,000 copies sold in the US in its first week.
  • Released on November 20, Rated R marked a shift away from the upbeat sound of Rihanna’s earlier albums, embracing a darker, more introspective tone with rock influences.
  • Proceeds from the single supported the fundraiser, which ultimately helped raise $100 million for cancer research.
  • Her sophomore effort, A Girl Like Me, followed in April 2006, incorporating reggae, rock, and pop influences.

In turn, Swift hasn’t just become one of the biggest artists of all time — she’s changed pop music altogether. Since then, she’s released 12 studio albums, re-recorded four as “Taylor’s Version,” and cultivated one of the most feverish fan bases in music. Furthermore, the deluxe edition consists of 16 tracks, half of which topped the Dance Club Songs chart — smashing the record (previously held by Katy Perry’s Teenage Dream) for the most No. 1s from a single album. “Same Ol’ Mistakes” is a cover of psychedelic rock band Tame Impala’s “New Person, Same Old Mistakes” — her first time remaking another artist’s song for her own album since “You Don’t Love Me (No, No, No)” on Music of the Sun. The album feels like one big celebration of life, as evidenced by Rihanna’s fire-engine red hair and No. 1 singles “Only Girl (In the World)” and “What’s My Name?” (the latter of which was Rih’s first collaboration with Drake). Despite being Good Girl Gone Bad’s lowest-charting single, Timberlake heralded the song as “the bridge for her to be accepted as an adult in the music industry.”
She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. Crafting a world with characters like the folklore love triangle between those in “betty” and “august,” as well as Rebekah Harkness from “the last great american dynasty” (who once lived in Swift’s Rhode Island mansion), was Swift’s way of venturing outside her typical autobiographical style of writing. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. But Lover was more than any accolades could reflect — it was Swift’s transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, “Daylight,” which sees her describe her love as “golden” rather than “burning red.”
And Eminem that appeared on albums of theirs; many felt her vocals on the latter’s “Love the Way You Lie” (2010) lent resonance to the song’s depiction of an abusive relationship. With the assistance of such high-profile collaborators as Timbaland and Justin Timberlake, she abandoned the tropical rhythms that had adorned her first two albums and recorded a collection of sleek R&B that presented her as a fiercely independent and rebellious woman. He helped Fenty record a demo that led to an audition with the rapper Jay-Z, who at the time headed the Def Jam record label, and he soon signed the budding vocalist. Rihanna exclusively uses her surname for ventures outside of music to keep her business and artistic identities separate. In November 2015, Rihanna partnered with Benoit Demouy to launch Fr8me, a Los Angeles-based beauty and stylist agency supporting artists with commercial bookings, photo shoots, campaigns, and red-carpet appearances. In March 2015, Rihanna was announced as a co-owner of the music streaming platform Tidal, alongside several other artists.